SEVENTEEN’s dazzling new subunit CxM just made K-pop history! Their electrifying track “5, 4, 3 (Pretty Woman)” clinched their first-ever music show trophy—and the news broke in the most unexpected way. Here’s the sensational story behind this explosive win!
In a twist no one saw coming, SEVENTEEN’s CxM (S.Coups and Mingyu) earned their very first music show win through a digital-only chart update. On October 10, while KBS2 aired its special “Music Bank in Lisbon,” the official KBS World 2025 website quietly dropped the bombshell—CxM topped the K-Chart with 7,014 points! That means no stage, no speeches—just an earth-shattering win that proves CxM’s power beyond performance.
Going head-to-head with chart titans, CxM outscored izna’s “Mamma Mia” (3,608 points) and BLACKPINK’s “JUMP” (2,763 points). The victory margin is jaw-dropping. This wasn’t a lucky break—it was a chart domination! Fans flooded social media with congratulations, celebrating the unexpected but well-deserved win.
This isn’t just a trophy—it’s a statement. “5, 4, 3 (Pretty Woman)” marks CxM’s debut as a dynamic duo under the SEVENTEEN umbrella. S.Coups’ commanding charisma and Mingyu’s alluring visuals created a synergy fans didn’t know they needed. Winning this early sets the stage for global K-pop takeover.
One surprising element that may have propelled CxM’s win is their collaboration with American artist Lay Bankz. Her contribution added a sleek, international pop flair that widened the song’s appeal. It’s rare for K-pop subunits to land international features this early—yet CxM did it effortlessly.
Ironically, the win happened during a pre-recorded overseas special. “Music Bank in Lisbon” aired on October 10, meaning CxM had no stage time to bask in their glory. Still, the chart doesn’t lie—and fans are already demanding a victory encore on upcoming shows. Soompi 2025
Within minutes of the announcement, hashtags like #CxM1stWin and #543PrettyWoman exploded across X (formerly Twitter). CARATs around the world trended their triumph globally—proof that even without a live stage, the fandom’s support knows no bounds.
SEVENTEEN is no stranger to domination. But the debut of a subunit like CxM shows their ability to evolve and conquer new territory. Their blueprint? Charisma, chemistry, and catchy bops. This win isn’t just about two members—it’s about a whole group expanding its empire.
Streaming numbers leading up to the chart period (Sep 29–Oct 5) were staggering. With over 12 million Spotify streams and climbing, “5, 4, 3 (Pretty Woman)” is proving its viral worth—especially on TikTok, where its addictive hook inspired dance trends worldwide.
Industry insiders hint at upcoming performances, a possible mini-album, and maybe even international promos. One thing’s for sure: this win lit a fuse. Fans now expect a full-blown CxM era—and judging by the buzz, the duo is ready to deliver.
There’s nothing quite like a first win. Especially one this unconventional, emotional, and richly deserved. SEVENTEEN CxM’s first music show win with “5, 4, 3 (Pretty Woman)” is more than a milestone—it’s a cultural moment in the making.
Who knew a pre-recorded episode would drop a win bombshell? SEVENTEEN’s CxM proves that even without the spotlight, true talent and loyal fans can catapult a track to #1.
Ranking | Song | Artist | Points |
---|---|---|---|
1 | 5, 4, 3 (Pretty Woman) | SEVENTEEN CxM | 7,014 |
2 | Mamma Mia | izna | 3,608 |
3 | JUMP | BLACKPINK | 2,763 |
Q1. When did CxM win their first trophy?
A. On October 10, 2025, via Music Bank’s official chart.
Q2. Why wasn’t there a live broadcast?
A. KBS aired a special “Music Bank in Lisbon” episode instead.
Q3. What’s special about “5, 4, 3 (Pretty Woman)”?
A. It blends K-pop charisma with international pop flair, thanks to Lay Bankz’s feature.
“Winning without performing live? That’s a testament to digital power and global fandom.” — K-pop Analyst J. Lee