

Brace yourselves—*The Devil’s Plan: Season 2* has taken the world by storm! This mind-blowing Korean cooking survival show isn’t just a domestic hit—it’s now the global No.1 on Netflix, proving once again the unstoppable power of K-content!
From December 16 to 22, The Devil’s Plan: Season 2 clinched the top spot on Netflix’s global non-English TV rankings, amassing an astonishing 5.5 million views worldwide. According to Netflix Top 10, this high-stakes culinary show outranked all other content during its premiere week, marking a milestone in Korean entertainment’s global conquest.
Following the explosive popularity of Season 1, the sequel returns with elevated drama, complex strategy, and razor-sharp competition. Contestants battle through brutal cooking duels in a dystopian culinary arena where status, not just flavor, determines survival. With higher stakes and deeper character arcs, fans are calling Season 2 “a next-level social experiment.”
While K-dramas have long dominated Netflix, K-variety shows like The Devil’s Plan are now carving out their own empire. December’s lineup, featuring smash hits like The Great Flood and The Master of Confession, solidified Korea’s content supremacy. Variety shows are no longer filler—they’re now frontline content in global entertainment strategy.
The show’s 5.5M views reflect more than curiosity—they signal loyal international audiences eager for Korean innovation. What’s more? The Devil’s Plan has been trending across regions like Latin America, Europe, and Southeast Asia, shattering language and cultural barriers with ease Forbes 2025.
This isn’t just about food. Season 2 dives into intense psychological games, class warfare, and social alliances. The cooking is merely a canvas for a deeper exploration of ambition, manipulation, and human instinct. If Squid Game and Hell’s Kitchen had a lovechild—it’d be The Devil’s Plan.
Netflix’s strategic investment in Korean content continues to pay off. With shows like Physical: 100, Sweet Home, and now The Devil’s Plan, Korea’s storytelling strength is redefining the platform’s global appeal. According to Netflix Investor Relations, over 60% of global users have watched Korean titles in 2025 alone.
Critics hail the series as “genre-bending genius,” while fans flood social media with theories, memes, and reactions. Reddit and TikTok communities have exploded with content dissecting every episode—fueling buzz that even Netflix’s algorithm can’t ignore.
With this level of hype and global dominance, Season 3 feels inevitable. Industry insiders hint that Netflix is already in talks to greenlight the next chapter for a 2026 release. One thing’s certain: K-variety isn’t just here to stay—it’s here to lead.
Beyond The Devil’s Plan, other K-variety titles like Single’s Inferno and Nineteen to Twenty are gaining international cult followings. The K-wave is no longer a wave—it’s a cultural tsunami, and global audiences can’t get enough.
If you haven’t jumped on the hype train yet, what are you waiting for? The Devil’s Plan: Season 2 is more than just a show—it’s an experience. Packed with jaw-dropping twists, stunning visuals, and bold culinary battles, it’s the must-watch sensation of the year.
This isn’t just Netflix history—it’s Korean entertainment rewriting the global playbook, one mind-blowing episode at a time.
| Aspect | Season 1 | Season 2 |
|---|---|---|
| Global Ranking | Top 10 | #1 (Dec 2025) |
| View Count | 3.2M | 5.5M |
| Platform | Netflix | Netflix |
| Theme | Culinary Strategy | Class Warfare + Strategy |
Q1. Is The Devil’s Plan Season 2 available in English?
A. Yes, with subtitles and dubbed versions for many regions.
Q2. Do I need to watch Season 1 first?
A. Highly recommended for full story immersion.
Q3. Where was it filmed?
A. Filming took place in South Korea on elaborate set designs that mimic dystopian battlefields.
Q4. Is Season 3 confirmed?
A. Not officially, but early production rumors are swirling.
“Korean variety shows like The Devil’s Plan are reshaping the global entertainment landscape. This is not a trend—it’s the future.” — Media Analyst J.H. Kim






